The Chinese Impact is a five-year research project that examines images of China in the Low Countries in the seventeenth century. An interdisciplinary group of art historians, historians, and sinologists explores how early cultural contacts gave rise to images that developed into stereotypes, some of which remain relevant to the present day. The European perspective is complemented with an Asian one: How did the Chinese see the Dutch?
China holds a special place in the European imagination. The Chinese economy, politics and culture are increasingly attracting foreigners, but preconceptions and stereotypes often distort the European perspective. This is not a new dynamic. It is rooted in the first period of intensive contacts, the 17th century, when the Low Countries were the European hub for products from and images of China, shaping Western conceptions that persist to the present day.
This research program pioneers the comprehensive study of China’s impact on low and high culture in the Netherlands, from the Chinese ceramics in Rembrandt’s studio to the popular comparison of Spinoza to Confucius. It establishes how the self-image of the fledgling Dutch Republic was honed in the Chinese mirror, from Delftware imitations of porcelain to ideals of religious toleration and republicanism. Historians have neglected the 17th-century Low Countries because they failed to analyze art and ideas in an integrated manner. Only interdisciplinary study does justice to the mutually dependent images by craftsmen and scholars from the Netherlands which were widely influential. Understanding the development of these popular stereotypes enlightens Chinese-Western relations that continue to be relevant in a globalized world.
Four sub-projects
Building on and critically elaborating the method of imagology, four closely related projects chart the process of image formation in a comprehensive manner. The first project analyzes relevant prints and porcelain depicting Chinese themes and styles, foregrounding Johan Nieuhof’s (1618-1672) illustrations. The second project studies textual sources from the viewpoint of intellectual history, singling out Isaac Vossius’s (1618-1689) writings. The third project explores Chinese reactions to Netherlandish art and scholarship, emphasizing the role of Ferdinand Verbiest (1623-1688). The fourth, synthesis project analyzes art, ideas, and the perspective from China in a comparative manner, thereby criticizing traditional imagology and the related approach of Orientalism.
Art history at Utrecht University
The project is chaired by prof. Thijs Weststeijn and housed by the department of Art History at Utrecht University, an eminent center for studying and teaching the art of the Low Countries. The project is funded by The Netherlands Organisation for Scientific Research (VIDI Innovative Research Incentives Scheme) and involves three partner institutions:
- University of Amsterdam
- Frans Hals Museum, Haarlem (site of the exhibition curated by The Chinese Impact in 2017)
- National Institute for Advanced Humanistic Studies, Fudan University, Shanghai (host of the dialogue seminar Entangled Cultural Histories, 2016)
Researchers
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| Prof.dr. Thijs Weststeijn m.a.weststeijn@uu.nl | Dr. Lennert Gesterkamp L.Gesterkamp@uu.nl | Trude Dijkstra MA G.W.H.Dijkstra@uu.nl |
Willemijn van Noord MA W.J.L.vanNoord@uu.nl |
Guest Researchers
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| Menno Jonker MA | Prof. Michael Keevak | Wenjie Su MA | Dr. Sun Jing |
Advisory Board
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Lia van Gemert |
Anne Gerritsen Professor of Asia-Europe Intercultural Dynamics Leiden University The Netherlands |
Frans Grijzenhout Professor of art history University of Amsterdam The Netherlands |
| Stacey Pierson Senior Lecturer in Chinese Ceramics SOAS University of London United Kingdom |
Nicolas Standaert Professor of Sinology Catholic University Leuven Belgium |
Hilde de Weerdt Professor of Chinese History Leiden University The Netherlands |
Partner institutions:
